
This time the ICA went all out: they legitimized urban art, rather disliked by many, by transferring it to their museum walls. Shepard Fairey's exhibition Supply and Demand was one of the more controversial ones this spring-fall, largely because Fairey was arrested at the doors of his very own opening show. Now, putting that minor, yet very important, detail to the side, the show well deserved to turn faces because of the artwork.
Supply and Demand was Fairey's first complete survey, covering work from his early skateboard designs to his latest murals. "Hope", the unofficial poster for the Democratic campaign, received the greatest attention from the public. I find it amusing some have argued this iconic image was the reason for Obama's victory; I leave that up to you to decide...
Unfortunately, the show was brought down mid-August and, of course, Fairey left with a bam. He closed the cycle with a great dancing party within ICA premises, giving the masses a little taste of his spinnin skills, along with Z-Trip and Chuck D. You can still listen to Fairey spinnin, just make sure to check out the Phoenix's video covering Fairey's night of debauchery.
SHEPARD FAIREY